(SPAM CUTS)

Short lucid piece on a set of poems by Fred Moten for Spam Zine.

 

http://spamzine.co.uk/post/184187500492/spam-cuts-jazz-study-group-impromptu-by-fred

Notes on Lotic, ‘Power’

For my first blog post proper I’m posting a few quick notes on Lotic’s new album Power. This may be the start of a series of shorter reviews/sketches/notes. Let’s see. 

Following Lotic’s work you’re struck by the movement of desire, and the uncoercive rearrangement thereof (Spivak, 2012); in a permeable drive entangled with identity, though not reducible to it. Angular, disjointed, their latest offering Power certainly continues in their strain of electronic music, though there is a softer vulnerability elicited in the opener ‘Love and Light’.

Lotic’s entry of their voice lends itself to a greater intensity of violence and vulnerability, something which Arca has also been developing in parallel. ‘Hunted’ in its whispering undertone, ‘Heart’ wispy and bare, ‘Nerve’ willful. The voice adds to this stillness and knowingness played through in the instrumental title track ‘Power’, a kind of out-of-placeness pre-loaded breaking-down in ‘The Warp and the Weft’. An instrumentalisation of the reanimated ‘phantom limb’, as writer Wilson Harris has formulated.

And yet Power enters an architectural metaphorical spacing that inhabits Lotic’s interplay between audio mix, club performance and track-driven timing. This contributes to an aesthetic environment overlaid between the cinematic and visceral. The overlaying I understand as a kind of response and refraction of the overdetermination of space and time of the contemporary. While this is clearly in conflict with racialisation and gendering, the affective drive found, for instance, in the crackled horns ‘Resilience’ generates this aesthetic mapping of desire for something like freedom, or just the inhabitation of space itself.

This resonates with the haunted motion of closer ‘Solace’, the closing of work-done. Its signifying-power epitomised in the double-image of the cover portrait. The double-play of visage/image eliciting a synaesthetic ‘phonic materiality’ (Fred Moten, 2003), a stylisation of form overlaying the movement of desire.

Image result for lotic powerImage result for lotic power

References:

Moten, Fred, ‘Resistance of the Object: Aunt Hester’s Scream’, In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003)

Spivak, Gayatri Chakravorty, ‘Introduction’, An Aesthetic Education in the Age of Education (Harvard UP, 2012)