Notes on Goodwin, Ramayya and Akhtar

I have a short creative-critical piece in the new issue of Tentacular mag thinking through James Goodwin’s reading of Ramayya, and Sascha Akhtar’s recent collection #LoveLikeBlood

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https://www.tentacularmag.com/issue-5a/kashif-sharma-patel

 

psns

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short poem uploaded on site.project’s in.oscillation series:

“in.oscillation is a collaborative online library of rhythms of resistance, expansion, meditation and solidarity. As an exploration into economies of care, collective strategies and to lightly lift spirits in uncertain, times sound and text works are added daily from our open submission.

Contribute by submitting work of your own or a link to existing sound or text through our google form.

https://siteprojects.co/portfolio/psns-1

The poetic lyricism of Imran Perretta’s ‘the destructors’ presents as a pessimistic statement of intent within the nostalgic familiar

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Review on Imran Perretta’s current show at Chisenhale up on AQNB

https://www.aqnb.com/2020/03/05/the-poetic-lyricism-of-imran-perettas-the-destructors-presents-as-a-pessimistic-statement-of-intent-within-the-nostalgic-familiar/

juggernaut/real talk/enjambed bliss/that’s just me

rough soundscape / spoken word in collab with Anuka Ramischwili-Schafer, featured on Free Cash takeover by Ruth Angel Edwards and Adam Gallagher on Cashmere Radio (Berlin) – I’m sure the full 17 hours will turn up at some point